“Greg in Good Company is a five-piece band playing tunes that sound like John Cougar Mellencamp slightly on edge. It’s Americana meets country meets rock & roll with moody hooks, heartfelt lyrics and creative songwriting that drive home each song’s message. All the tunes are melodic and pleasing to the ear as Greg and his company take you through their repertoire with delight and gusto.
The guys are fairly young, but they play like seasoned veterans. Gilman is a good frontman with good people skills as he draws the audience into Greg’s world. Exceptional drumming by Brinkschulte keeps everything nice and tight on the rhythm end. U’Ren helps out on bass and is exceptional (to say the least) on backing vocals as he and Gilman croon for the audience. Vites put down a sweet guitar solo on “Monster’s Lair” that left the audience wanting more and nothing but good vibes came from Lee on keyboard as he, also, contributed to the background vocals in a big way.
The music pretty much spoke for itself. Gilman took charge and directed everything as he and his crew played some beautiful tunes for the better part of an hour. The harmonies were superb and that’s what kept the songs tight and the players aligned to each tune. It was great to listen and watch.
If you like upbeat Americana music, you’ll love Greg in Good Company. With catchy tunes, and earnest, warm lyrics, each song is a fun adventure into the unknown (both musically and lyrically). Well written tunes combined with good melodies make for a good night of music. With their prodigious lineup of tunes, from “2am” to “Monster’s Lair” to “Just a Sunset” to the beautiful “I’ll Let You In,” if you want to listen to some good music, check out Greg in Good Company. “What can you expect at 2am but to fall in love!” – Pierce Brochetti, Music Connection Magazine
“Fronted by Greg Gillman, this band brought a spirited energy to the stage to kick start the night off right. This was my first time hearing their music, but I really enjoyed the blend of rock and roll and Americana. I found Greg to be quite charismatic and his raspy, bellowing voice had my feeling some Springsteen vibes.
The players in his band were particularly good as well. Alexa Brinkschulte (drums ), Alex U’Ren (bass and vocals) Martin Vites (guitar) and Lee (keys and vocals) were great. I particularly loved Greg’s harmonies/interactions with Lee. It really brought that extra bit of life that energized the performance.
I was also really impressed with Greg’s songwriting. I feel like he’s got a real sense of melody, and his transitions from verses into hooks or choruses feels real organic, even when the dynamics of a songs change drastically. Have a listen to “Carrie’s Song” and I think you’ll catch my drift. I really dig that song…” - Derek Lee, Blurred Culture
“Greg In Good Company is a five-member L.A. band fronted by Greg Gilman, who’s something of a Renaissance man: songwriter, screenwriter and journalist. GIGC’s new single “Home” has the heart and power of Bruce Springsteen’s best work and precedes their second album Quiet Days and Quiet Nights, which drops later this year."
‘The song has been a long time coming,’ says Gilman. ‘It took me a year and a half to write, with the lyrics finally coming to mind after watching the documentary I Am Another You, inspiring me to write a song about mental illness from two different perspectives: a young drifter running from the voices in his mind, and his mother back at his childhood home, wondering if her son is even still alive. Each verse is divided between these characters.’
GIGC’s music is American to the core. Last year’s Dedication Song feels like a more serious version of John Prine’s When I Get To Heaven. And speaking of paradise, Gilman’s Heaven Is A Moment Here With You has Dylan-esque energy.” - Beats Per Minute
“Greg Gilman of Greg in Good Company spent most of 2020 going inward, using the pandemic solitude as a rare opportunity to slow down in the shadow of Los Angeles’ bright lights.
Now, he has emerged with his first single of 2021 — and it captures the very essence of one of LA’s most captivating roadways.
“‘Mulholland at Midnight‘ is one of my personal favorites I’ve written and recorded,” Gilman said. “It’s my tribute to all the ghosts of Hollywood’s past that have driven on the iconic LA road that stretches from the city, all the way to the Pacific Ocean. I wanted to create a painting with words, and produce a sound best heard blasting out of car speakers on the open road.”
We have to say, Gilman nailed it. An impassioned and dynamic rock and roll ballad, ‘Mulholland at Midnight’ illustrates the glow of the city’s bright lights, viewed wistfully from a distance as they stretch further into the rear view.
Get in your car, go for a drive, and turn this one all the way up, folks.” Gerard Longo, Editor-in-Chief, Underground Music Collective
“LA quintet Greg in Good Company mix the the guttural soul musings of Ray LaMontagne with the jubulant psychedelic folk vibes of Edward Sharp and the Magnetic Zeroes.
Primary songwriter Greg Gilman was a fixture at stand-up clubs for the past decade, known mostly for his biting satirical songs. After he shared some more earnest compositions with his tight-knit group of musician friends, they encouraged him to find an outlet for the new material, and together they all began perfoming the uplifting collaboration under the banner of Greg in Good Company. The resulting recordings access some truly powerful and cathartic vibes.
We have the pleasure of premiering their rolling roots rock single Carrie’s Song, recorded by producer Mitchell Haeuszer at HAUS Music in Studio City. The song is evocative of the affirmentioned musical evolution, paying homage to the deep friendships that supported Greg’s transition from jocular performer to serious songwriter. It’s a beacon of light in the often self-consumed tendencies of most modern artists, and also offers up an upbeat meditation on an emotion and commitment America needs more than ever right now.” - No Depression
“If you’ve got some small town roots to massage, then Greg in Good Company has got you covered.
Right before the weekend, this Los Angeles band got very real with their latest single ‘Carrie’s Song’ via SoundCloud.
Get that warm gospel voice, a generous dose of acoustic right before it unwinds into a glorious blend of rustic gospel that permeates your soul?
You should expect that and a lot more with their upcoming full-length album called American Way which is due for release on July 20th.
Go on. Play it again. You know you want to!” - Incendiary American
“Roots-revival acts have captured a loyal corner of the market over the last decade. A kneejerk analyst may scoff at them as artificial antidotes to the electronic drill of modern radio, but Greg in Good Company illustrate the substance behind such acts.
Their new single, ‘Carrie’s Song (Told Me to Sing)’, fulfils its ambition as a 70s FM radio rock sing-a-long and then some. The gospel-tinged chorus and mish-mash of acoustic and electric guitars, swooning backing vocals, and heart wrenching leads are quintessential roots-rock, fit with soulful character and well written hooks.
Each chorus parades for a full minute, but the band doesn’t stray into cumbersome self-indulgence. Full-band chanting gives way to slide guitars which slickly assume command of the melody and the energy carries itself naturally throughout.
Lead man Greg Gilman’s maudlin verses may irk some on grounds of tackiness, but such is the nature of soft rock – it often treads close to wishy-washy blandness. A footnote in the grander scheme of things, however; this is a solid effort worth checking out.
4/5” - Barra Ó Súilleabháin, HeadStuff
Read the interview with Revolt Wines Co. HERE
"American Way begins to wind down with 'Carrie’s Song,' arguably the best track of the release. Some people give you a piece of themselves when they sing and Gilman is that kind of vocalist. From the earliest notes of 'Carrie’s Song,' there is a visceral feel to his delivery that instantly authenticates the emotion. A soulful, blues revival track with a gospel tinge that absorbs you, 'Carrie’s Song' packs a sentimental punch while also offering a chorus that makes you want to join in and sing along with. 'She Knows' shows that Greg In Good Company is more than capable of banging out some classic 70s radio rock before they wrap things up with the simply titled 'Love.' An uptempo track with backing vocals that perfectly compliment Gilman’s leads, the music is the star here. Conveying an emotional vibe with lyrics such as 'Because love is all that matters in the end,' this final track brings American Way full circle and leave listeners wanting more.
Greg In Good Company is often compared to big names such as Mumford and Sons, The Lumineers and Weezer among others. However, by combining elements from multiple musical genres such as folk, pop, and Americana, Greg In Good Company has developed their own roots rock sound and continues to carve their own path towards success one song at a time."
"A snappy statement on the status quo you can rock to… Greg in Good Company’s 'American Way' makes for lively listening. ... Dynamic enough to satisfy, yet self-aware enough to center itself. In 'American Way,' rock is on the menu, but it’s paired with poignancy as well – lamenting the sad facts of modern life with a touch of righteous revolt thrown in for good measure.
If you’re ready for rock with a dose of depth, then have a listen. You’re likely to like this.
Talkbox vocals and igneous rhythmic melodies immixed make ‘American Way’ way more classic rock and throwback punk than its age would otherwise indicate.
Lyrically, ‘American Way’ calls for change and highlights just what needs changing in the U.S. of A. More than mere pep, in this Greg in Good Company pack a thought-provoking punch.
Around the 2:20 mark, we're treated to a jogging stretch of rhythm reminiscent of Wolfmother's ‘Joker and the Thief’ and then, nearing 3:00, the song swells to a choral crescendo followed by one last round of rhythm.
Dynamic enough to satisfy, yet self-aware enough to center itself...
In ‘American Way,’ rock is on the menu, but it's paired with poignancy as well - lamenting the sad facts of modern life with a touch of righteous revolt thrown in for good measure.
If you're ready for rock with a dose of depth, then have a listen. You're likely to like this.” - Jeff Mitchell, Odd Nugget
“The songs are written for you to think, reflect and question. And that, is a very good thing. ... “American Way travels through several genres as you listen track by track. With a strong indie-alternative flavor, its sound is refreshingly light as it balances against weighty topics. Overall, it’s fast and fun and ends with a song called called ‘Love.’ A total 180 from the title song, so perhaps there is hope for us after all. The album ends with the line, ‘Because love is all that matters in the end.’ How can you argue with that?”
"These are some of the most urgent topical songs I’ve heard in a good while, produced in the spirit of Bruce Springsteen, The Black Keys, and Edward Sharpe.
The timely ten-track record is a stirring, heartfelt experience as the band examine themes from the anxiety-inducing state of America right now to modern, social-media influenced romance. At the core of American Way is a lot of love, and Greg in Good Company extend that to you, dear listener, wherever you may be and wherever you may be going."
(Click the photo to read full interview)
"Greg Gilman is a Lehigh Valley native. He graduated from Southern Lehigh High School in 2005, attended Temple University and then, as the story goes, moved out to LA to follow dreams that included screenwriting and, of course, music.
His band’s name, Greg in Good Company, seems to be fitting. Gilman certainly has surrounded himself with a tight group of talented musicians who, simply put, make good music. The band’s self-titled EP reflects that.
Listeners will be taken in right away by Gilman’s infectious baritone on the EP’s lead track, the mid-tempo roots rocker “2 AM.” From there, things get funky with “Get Laid,” a refreshingly, if not brutally honest take on the dating scene, and “Save Me,” whose lyrics are, at first, surprisingly dark, given its bright instrumental grooves.
We then head into the land of balladry with “That Girl’s a Star,” a tender look at aspirations that are sometimes just beyond reach, and appear to be staying there if the beginning of album closer “Good God, Grace” is any indication. The end track then picks up from its tender piano beginnings, however, resulting in an up-tempo Americana tune with bluegrass sensibilities and crisp vocal harmonies.
All in all, Gilman and his band have put together a catchy, enjoyable listen that will become a quick favorite for most rock fans."
"Indulge in the uplifting vibes of a Los Angeles gem that will awaken the days when acoustic funk and rasping soulful voices rang from every street corner.
Greg Gilman and the crew make music with raw and ready bass riffs, jumping harmonies, and a tall glass of fun within every groove. Releasing their debut EP, Greg in Good Company first reminded me of bands like Blues Traveler,Sister Hazel, and Gilman’s voice can compare with artists like Marcus Mumford or John Popper; but, as I continued to listen, I discovered more influences involved and blended into something that I would say is their own style.
From the acoustic ballad and soft dancing harmonies found in “That Girl’s a Star” to the honest and heartfelt “2 AM,” very full with a nice harmonica solo and brass line, we are not left with one sound, but an assortment of musical direction. “Save Me” was a favorite of mine. I enjoyed the disco harmonies, chill guitar groove with a nice instrumental break and the reconciliation at the lyrics, “Every time that I see you, / my demons all seem to fear you.”
I see this band continuing to grow in their musical endeavors as long as they stay true to what they love. Take the time to check out Greg in Good Company on Spotify, or buy their new EP at your iTunes store, and keep an eye open for any live shows."